Some caught the mention in the last post, that the scene depicted in the “Orphans In the Night” wasn’t my original choice. So, not to waste an idea: this was what was originally intended – back when the line “Hello, stranger” still had some more weight with the title and within the narration.
Would have indeed been a shame to throw away this already started work. So, taking advantage of it in form of a brief ’re-visitation’ from a different POV.
Hugh enters the lounge area of the hotel lobby and takes a look around the place, trying to find Paul with his gaze. The lighting is quite too dim to really make out anything. This is where he is supposed to be, right?
Every moment is a test. Can you bury your heart? Can you hide your decency? Can you continue to pretend to be one of them? Even as, little by little, it kills the person you really are?
THAT MUSIC. YES.
EVEN BESTIE IS HUMMING ALONG
Also, Michael is taking Tilly to see her home.
gIVE HUGH A FUCKING PROMOTION.
yOU COWARDS.
BUT WHERE’S MY SEARCH FOR HUGH.
THIS IS A GOOD WRATH OF KHAN ENDING. NOW GIVE ME THE NEXT MOVIE.
MICHAEL CALLED SAREK “FATHER”
HE CALLED MICHAEL “DAUGHTER”
AMANDA!!
OK, tbh, I’m not sure I buy that L’Rell pulled that off.
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